Posted by ZXX on 2004-12-31 09:13:01

How-Tos & Tutorials
Techniques other than beatmatching could also be used in your mix, no matter what kind of music you play. It's a good way to impress the crowd and show them how good you are, and some of these tricks are real simple to do but effective. Let's get started, shall we?

"Scratching" - Simple scratching can also put a spice in your mix, although it requires a scratch record or a good sample on a song in your rack. you can get real fancy with scratching if you want but if you aren't too capable for scratching like a DJ superstar, then I'd keep it simple if you haven't got any practice and you are playing a nice record. While playing one record, scan the other one for nice sharp kicks or snares, then using your fader and hand simply move the record back and forth, (kind of like a baby scratch) and that should add some excitment. Do it right before a breakdown to let the crowd know you're in control of the turntables.

"Unique Breakdowns" - Alright, so the last tip wasn't too fancy, so lets try something else. Lets say you want to add your own breakdowns to a song, that sounds like a good idea dosen't it? Let's try out one little thing I learned a while back. First get two copies of a song and while your playing one and it enters a climax (where evrything stops and the music builds up), play the other record at the same time on beat at the same position. Now when it finally gets to the last minute, hit stop on the turntable playing the song and slam the crossfader to the other channel when it bangs, that way it gives more spice to the mix and it sounds pretty good. You could also do that same trick except you slide the needle off the record with just enough downforce to create that signature stopping screech you see in the movies, that sounds real good but you could say goodbye to that needle since there's a likelyhood you might damage it or the record in the process.

"Swishing Sounds" - I've talked about earlier on an article how to make the swishing effects in a production (Right Here!), now I'll show you how to do it in the mix. First you need a mixer that has the three signature EQ knobs controlling the bass, mids, and treble on a mix. Now you need a record playing on one channel and the other intact on the other channel. Now theres a simple beat going on:
1-2-3-4 - 1-2-3-4 - 1-2-3-4 - 1-2-3-4
Now when it gets to the seventh beat you want to pull the fader quickly to the other channel and move the record forward once while rising any of the EQ's to the maximum at a even pace starting at zero (reccomend the mids and treble knobs). Now switch back to the original record right on time when the nineth beat comes and the result should be good. You could also do it without cutting the original song, instead just cutting off the bass of the original record (if you have that many hands, otherwise just tap a EQ kill or hope the song don't produce alot of bass during that phase). For the best results, tap the record to make it travel slow to get a static sound rather than some other song.

"Breakdown Backspins" - Instead of using the back spin as a stopping point to switch to the other record,you could use it as a breakdown weapon. First play two of the same songs at perfect match in the same position. Now follow the beat again:
1-2-3-4 - 1-2-3-4 - 1-2-3-4 - 1-2-3-4
Just like the swishing effect, wait until the seventh step to hit and right before it hits take that same record thats playing and spin it back fast, then right before the nineth bar hits, switch to the other record thats still playing and the results should be good.

These are only a few tricks you could do on a turntable, you can experiment and find your own ways to bring in a breakdown to spice up the mix (heck if you got a good tip, tell me about it).

Article Comments

  • Comment by THERUNNNER on 2008-12-20 09:06:15

    Nice advice! I experiment with a lot of beat matching and creative pad production. Additionally, I like using glitches and non-traditional beats to differentiate myself from my peers.


    All of you are awesome and I appreciate your experience and willingness to post the shortcuts for greater production!

    Someone please tell me how I can get more listeners to review my music?

  • Comment by Firebrand on 2005-08-16 01:38:52

    Quite nice.
    One thing I learned is that you can also work on scratching during a Rock song. Works well if you've got a good ear for the song. Just be careful to keep the tune on the right beat, or things will sound like shit. Great tutorial man!

  • Comment by Oceanseeker on 2005-08-16 01:38:52

    great tutorial zxx,
    yeah, I use a lot of eq effcts, and I have a few auxillary effects I like to pump in like using a phaser on the out track, and even get my keyboard in there, play a power supersaw chord with a 10 second release, or put huge reverb, and do some other stuff :P
    yeah I know it isn't all djing, I guess I stick as the nu-nrg dj type

  • Comment by kragshot on 2005-08-16 01:38:52

    Not a bad bit of info. Unlike Morningstar, I beatmatch a lot, but I don't scratch at all...never could get into it.
    Another thing that I do (which is rather common, especially among house jocks) is simply doing frequency cuts (dropping out the bass or treble on key points of a song).
    The rest of my show is FX-driven. If you use a CD deck, explore the various functions of your deck. You would be amazed at the things that a very basic, barebones American DJ deck can do. Just setting up basic loops in a track or using the "bop" effect (tapping the cue button to the beat of your track) can shake up your set.

    Still, when it is all said and done, all the tricks in the world won't help you out if your selection of tracks is not on point. A creative playlist can shake up a crowd and get the joint jumping as well as any FX or trick.
    Shock your crowd a bit. Grab something out of the ordinary and throw it into your set. Even if you drop a goofy track into the mix...it will work out, if you plan it correctly.

    Just my addition to the thing.

  • Comment by Morningstar on 2005-08-16 01:38:52

    nice information Z.....at parties where I spin.....I usually mix all types of styles, but I do incorporate alot of scratching and record effects......since I don't spin full time my beat maching technic is less then efficient so I'm forced to mix creatively with the breakdowns and intros...you can scratch with any record as long as you hit the sweet spots!!! It also helps to have a good mixer with a smooth crossfader :-)

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